The opening ceremony of the Paris Olympics 2024 has drawn widespread criticism and backlash, particularly from Christian communities and conservative figures, over a performance that featured drag queens reenacting Leonardo da Vinci’s “The Last Supper.”
Elon Musk, in a series of tweets, expressed his discontent, stating, “Unless there is more bravery to stand up for what is fair and right, Christianity will perish.” His comments reflect a broader sentiment among critics who argue that the ceremony’s artistic choices undermine traditional values.
Donald Trump Jr. also weighed in, labeling the event as “seemingly satanic” and lamenting that the Olympics, once a source of national pride, now promotes what he perceives as “woke ideology” that detracts from the spirit of the games. He reminisced about the excitement surrounding the Olympics during his childhood, contrasting it with the current atmosphere of indifference towards the event.
The controversy has extended beyond American figures, with international leaders also voicing their disapproval. In India, Meghalaya Chief Minister Conrad Sangma expressed disappointment, emphasizing the need to respect religious sentiments. Bollywood actress Kangana Ranaut condemned the depiction as a “hyper-sexualized, blasphemous rendition,” questioning the relevance of such themes in a sporting event.
Despite the backlash, the art director of the ceremony, Thomas Jolly, defended the performance as a message of love and inclusion, aiming to celebrate diversity rather than provoke division. However, his explanation has done little to quell the outrage, with critics arguing that the portrayal crosses a line and disrespects their faith.
The controversy highlights the ongoing cultural tensions surrounding the intersection of art, religion, and public events, with influential voices rallying against what they view as a troubling trend in contemporary expressions of identity and belief.
